The Tenement Museum is developing its sixth restored
apartment, which will represent the experiences of an Irish
immigrant family that lived in the tenement at 97 Orchard
Street in 1869. After canvassing 97 Orchard’s Irish residents,
Museum researchers decided to focus on the Moore family
and the story of their first years in America.
Joseph Peter Moore came from Dublin to New York in 1865 at
the age of 20. There he met and married Bridget Meehan,
who was also born in Ireland and emigrated to New York in
1863 at the age of seventeen. Like many immigrants, Joseph
and Bridget’s fortunes fluctuated drastically. Though Joseph
found work as a bartender—a potentially influential job—the
family experienced great hardship, losing many of their
children to illness and disease. One of those children, Agnes
Mary Moore, died of malnutrition before the age of five
months. Agnes’s death certificate enabled the Museum to
definitively place the Moore family at 97 Orchard Street.
In examining the experiences of the Moore family, the
Tenement Museum will develop an exhibit that engages
themes such as public health, immigrant access to health
care, and immigrant political participation.

Desipina & Co. returns to the Tenement Theatre on April 1st with the third installment of their popular series,
seven.11.2005: seven original 11-minute plays, all set in a convenience store. We sat down with Rehana Mirza and Rohi Mirza Pandya, the sisters behind Desipina, to talk about this year's production.
TM: Can you give me a preview of
seven.11.2005?
Desipina: We've got 7 new stories, all different types of genres, styles, characters, comedies, dramas, suspense, but all set in a convenience store. We have a first time writer's 7-11 piece, "Color Me Desi," which explores what it means to be "desi," which is a slang term for being South Asian. We have a fun new musical, an adaptation of the Cinderella fairy tale, but with a major twist--and it's not just that the characters have been turned brown.
TM: How did you come up with the 7-11 concept?
Desipina: Our first show (Borders) was very serious. It dealt with the treatment of South Asians after September 11th. The South Asian community supported us so much during that show, we really wanted to give back to it, to develop artists individually as well as strengthen a community of artists within the South Asian diaspora. We wanted to do something fun, more upbeat, but we still wanted to do social change through theater.
TM: Why set the plays in a convenience store?
Desipina: Because of how much typecasting and stereotyping there is in the media of Asians and immigrants working in convenience stores. We wanted to play on that. To show that there are definitely more stories to be told.
seven.11.2005 opens at The Tenement Theatre on April 1st.