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A National Treasure

Remarks by Ruth J. Abram, President Lower East Side Tenement Museum

The Empire State Development Corporation has proposed to acquire by eminent domain 99 Orchard Street, a sister tenement to 97 Orchard Street, the National Landmark owned and operated by the Lower East Side Tenement Museum and to sell it to the Museum to insure the safety of its landmark building, to provide for its expansion, and to benefit the public interest. The Museum supports this plan.

What is the significance of 97 Orchard Street?
Built in l863, 97 Orchard Street is the first tenement and thus the first homestead of urban, working class, poor and immigrant people to be preserved in the United States. This humble abode is the only remaining example of the type of housing millions knew as their first place of settlement in America and New York City. It was the first building of its kind listed on the National Register of Historic Properties and to be designated a National Historic Landmark.

In 1998 this humble homestead joined the ranks of the homes of Woodrow Wilson, James Madison, Frank Lloyd Wright and many other famous Americans to become the 20th featured property of the National Trust for Historic Preservation. In 1999 the building was named an official project of Save America's Treasures, a program launched by (then First Lady) Senator Hillary Clinton's White House Millennium Council. These designations elevate the status of 97 Orchard Street to the same plane as other sites the nation has saved including George Washington's Mount Vernon, the Statue of Liberty, and the USS Arizona Memorial at Pearl Harbor.

The Museum is at capacity
Attendance at the Museum reached 90,000 this past year. That represents a 100 percent increase in the last four years alone. Our public tours are at capacity. Every week, every weekend, the Museum has to turn away visitors. Since September 11th, while visitorship to other museums is reported down, people are beating down our doors to touch the historic men, women and children who reside within our tenement who have faced difficult, even dreadful circumstances before … and made it through. It is comforting. It is necessary. The resilience, so evident in the lives of the families interpreted in our tenement, is contagious; and lots of people want to catch it.

Over a dozen community organizations serving immigrant residents have collaborated with us on programming that uses history to orient and inspire new arrivals. But we have not been able to answer their constant requests for meeting space, programs that teach residents about the history of their neighborhood, or free ESOL classes, for which immigrants wait up to three years. School children wait up to three months to participate in programs that promote tolerance and teach citizenship skills. Scores of immigrant artists searching for places to express their experiences have been turned away.

The Tenement Museum has become an Affiliated Area of the National Park Service, twinned with Ellis Island, Statue of Liberty and Castle Clinton. At those great l9th century immigrant processing stations, visitors learn: Who came? Why did they come? What happened to them during their hours or days of processing? The Tenement Museum has been asked to respond to the unanswered question: What happened when they left the boat and settled in the City? Ellis Island and the Statue of Liberty received 5 million visitors last year.

The acquisition of 99 Orchard Street will enable the Museum to serve over 200,000 people, including local school children and residents, as well as clients and staff of area organizations. Those 200,000 plus people will come with money in their pockets. As has always been true of the Museum's visitors, they will shop at the small stores and eat at the restaurants that dot the Lower East Side, Chinatown, and Little Italy - so many of them owned by immigrants.

Obtaining 99 Orchard Street is vital to the Museum's future.
The Museum needs 99 Orchard Street because it is a sister building and shares a party wall. 99 Orchard Street is a sister building to 97 Orchard Street. Built at the same time, the two buildings shared a party wall and party wall balconies, and their floors are at the same level. This configuration makes it possible for the Museum to achieve important goals that would not be possible in any other building. These include:

  • Install an elevator at 99 Orchard that will provide:
    Wheelchair access to all of 99 Orchard Street (97 Orchard Street's doors and hallways are too narrow to accommodate wheelchairs. Widening them would destroy the historic configuration and fabric of the building, the very reason for its preservation);

    Connections between 99 & 97 Orchard at the ground and top floors will allow access to 97 Orchard, making exhibits and programs in both 97 and 99 fully accessible to seniors and others with limited mobility to enjoy the Museum's exhibits.

  • Fully integrate the interpretation of immigrants past with that of contemporary immigrants and migrants. At 97 Orchard Street, the Museum presents stories of actual former residents, shopkeepers and landlords from 1863 to 1935. In 99 Orchard Street, the Museum will expand its interpretation to include stories of people in the neighborhood before and after those dates including people from Africa, Latin America and Asia whose stories were not represented in 97 Orchard Street. Today, 35% of the area's residents are foreign born.

  • Greatly improve traffic flow so school children, seniors and visitors with special needs no longer have to cross busy streets.

    In addition, at 99 Orchard Street we will provide:

  • Classrooms adjacent to "do touch" exhibit especially for children and families and for sight impaired visitors;

  • Exhibition spaces to showcase the work of immigrant/migrant artists past and present;

  • Community meeting spaces;

  • State of the art storage for the Museum's collection.

    What additional public good will come of the Museum's acquisition of 99 Orchard Street?
    Through its acquisition of 99 Orchard Street, the Lower East Side Tenement Museum, its neighbors and supporters will:

  • Safeguard a national landmark, an economic and cultural anchor for its area;

  • Preserve the historic flavor of Orchard Street and the Lower East Side Historic District;

  • Expand the number of people coming to the area to visit the Museum and area establishments from 90,000 to well over 200,000;

  • Expand service to community groups and associations;

  • Expand service to immigrants;

  • Guarantee wheelchair access to Museum exhibits and cultural events;

  • Expand programs of free tours to area residents and agency clients and staff;

  • Expand job opportunities for Lower East Side residents (almost 1/3 of whom receive public assistance) and other New Yorkers;

  • Increase revenue for area businesses;

  • Increase visitation to other historic sites and cultural attractions in the neighborhood;

  • Expand the City tax revenue.

    What will happen to those now associated with 99 Orchard Street?

  • The 15 tenants will be helped to find similarly attractive market priced apartments. Their moving expenses will be covered.

  • 98 Allen Realty, the owner of 99 Orchard Street, will be paid market value for its tenement property. The amount will be determined by a court, based on a qualified appraisal.

  • Congee Village Restaurant may continue to operate its restaurant at 101 Orchard Street.

    Conclusion

    The expansion of the Lower East Side Tenement Museum is important to the economy and the cultural fabric of the Lower East Side, the City and the State. The preservation of the Museum's landmark tenement at 97 Orchard Street is crucial for the Nation. The Museum's staff and trustees are devoted to the Lower East Side, and have spent the last thirteen years enhancing it and making it a destination point and a point of pride to the entire City and State. This opinion is widely shared.

    We invite you to join us and the people listed below as stewards of the Lower East Side's answer to the Statue of Liberty and Ellis Island by supporting the Museum's plan to acquire its sister tenement, thereby expanding its service to the area and the people of our city and state. Thank you.

    Sincerely,

    Ruth J. Abram
    President



  • We thank the following people who have already spoken and written in support of the Museum:

    (Click on the person's name to read excerpts of their statements on behalf of the Tenement Museum)

    Georgina Acevedo, LES Resident & Tenement Museum Staff

    Michael Adlerstein, National Park Service, Cultural Resources Center

    Marcy Arlin, Immigrants' Theater Project

    Frank Aucella, Woodrow Wilson House

    Dani Backer, Teacher and ADA Specialist

    Kevin Baker, Author of Dreamland

    Tim Baker, Guss' Pickles

    Morty Ballen, EXPLORE School

    Margot Caso, ADA Specialist/Guatemalan Immigrant

    Susan Chin, NYC Department of Cultural Affairs

    Joe Cohen, Joe's Fabric Warehouse/LES Merchant

    Michael Cohen, Darby Printing

    John Conaty, Brooklyn Live/Work Coalition

    Cathy Cullen, Henry Street Settlement

    Terry L. Davis, American Association for State and Local History

    Cambao De Duong, Chinatown Manpower Project

    Anita Epps, Social Worker & Museum Donor

    Nikki Federman, Russ & Daughters

    Buddy Fishkin, Fishkin Knitwear

    Ivy Garcia, Former Museum Employee

    Andrew Garn, Neighborhood Resident & Photographer

    James Gettinger & Sharan Sklar, Lower East Side Residents

    Charles L. Granquist, Rockefeller Brothers Fund

    Kevin Groves, KC Renovations

    John Gunderson, Architect

    Laura Hansen, Place Matters

    Ann G. Hintze, Gaylord Building Historic Site, Illinois

    Rev. Edgar Hopper, St. Augustine's Church

    Paul W. Ivory, Stephen Decatur House Museum, Washington DC

    Theodore Jacobsen, New York City AFL-CIO Central Labor Council

    Fabian Jabro, Standard Architects

    Kenneth T. Jackson, New York Historical Society

    David Jamieson, Museum Visitor from Scotland

    Jodamo International Ltd, Neighborhood Business

    Freedy Johnston, Singer and Musican

    Bradley Jordan, Professor/NYC Resident

    Nina Jensen, Bank Street College

    Julia Justo, Former Tenement Museum ESOL Student

    Dr. Jeff Kabot, Seward Park High School

    Pat L. Kahle, Historic Site in Louisiana

    Laurie Kaufman, Museum Visitor, LES descendent

    Lynda Kennedy, NYC Museum Educators Roundtable

    Alan Kopelson, Architect & ADA Specialist

    David Koral, Former Museum Tour Guide/LES Resident

    Lamgen Leon, Museum of Chinese in the Americas

    Rev. Bayer Lee, Trust in God Baptist Church

    Leda Lee, First Generation Asian-American Jeweler

    Leah Lococo, Graphic Artist

    Lynn Loflin, Owner, Miracle Grill

    Jeffrey Lynford, National Trust for Historic Preservation

    Peter Madoff, Grandson of Lower East Side Merchants & Museum Trustee

    Sheila Mark, Sheila's Decorating/LES Merchant

    Fay Chew Matsuda, Museum of Chinese in the Americas

    George W. McDaniel, Drayton Hall National Historic Site

    Rebecca McGinnis, Access Coordinator for the Metropolitan Museum of Art

    Joan B. Mercuri, Frank Lloyd Wright Preservation Trust

    Jonathan Meyer, Museum Visitor from England

    Jennifer Miller, Artist/LES Resident

    Louis Miu, Miu & Co. in Chinatown

    Wendy L. Moore, Museum Visitor, Kansas

    Lynette Morse, MA Candidate at Bank Street College of Education

    Mary Mulvihill, College President/LES descendent

    Paul Neuman, Neuman and Bogdonoff Catering

    Cristyne Lategano-Nicholas, NYC & Company

    Dr. Libby H. O'Connell, History Channel

    Dr. Edward T. O'Donnell, Holy Cross College

    Rosa O'Day, Public School 42 on the Lower East Side

    Susanne Brendel Pandich, Lyndhurst National Historic Site

    Danforth L. Preston, Ethnic Folk Center

    Samar Qandil, Museum Visitor & NYC Resident

    Kris N. Quist, California Department of Parks and Recreation

    Fritz Read, Read & Company Architects

    Clyde Rennie, Lolita Bar/LES Business Owner

    Pearl Rosen, National Center Of Disability Services

    Magdalena Sagardia, Professor

    Saïd Sayrafiezadeh, Immigrant Playwright

    Frank Sanchis, Municipal Art Society

    Harriett Senie, CUNY, Museum Studies

    Martin Skehmas, Architect & Landscape Preservationist

    Issac Sultan, LES Merchant

    Anne Taylor, Filoli (A National Trust site)

    Paula Trotto, Neighborhood Resident

    Stuart Wexelbaum, Stooz Records/Area Merchant

    Ian Whitby, Museum Visitor, London

    Peggy Boyle Whitworth, Brucemore (NTHP)

    Steven M. Yip, Chinese-American Planning Council

    Bob Yucikas, Neighborhood Resident & Gallery Owner

    Steve Zeitlin, City Lore

    Michael Zisser, University Settlement